Basket Weaving 101

Numerous types of violence occur/red along with the destructions of the commons. One of which is the disruption and denigration of knowledge and skills that support autonomy from capitalism. Out of the many skills that sustain subsistence life, it is interesting that basket-weaving has come to be the most belittled. In this regard, I saw my recently acquired basket making skills to be an opportunity.

I offered myself up for workshops to whoever would accept my invitation. The first was a group called [Ladies Tea Party]. I was initially scared by the name but it turned out to be a group of retired and/or un/under-employed women who meet every Friday at Oppenheimer Park in Vancouver. I did second my workshop for Mary Babcock's class. Funny since Mary is the head of the Fibers Area at the University of Hawaii at Manoa and an expert weaver. The image above is a still from a (dizzying) YouTube video made by one of Mary's students Michael Hippolito. 

The third was for Kickstand, a community cycling resource centre where we attempted to make bike baskets - not completely satisfactory on the handle bar since the basket would tilt forward if the load (i.e. 6-pack) was too heavy. I did solve this problem a few months later by modeled the basket after a pannier instead.

The fourth, the most successful, was held with Field House Ensemble, organized by artists Cindy Mochizaki. 

Last but not least, I made an exchange with Vivi - a personal tutorial for the most delicious apple pie. This whole thing is a bit ironic since a part of what I love about being department chair is not having to do as many photo demos. And 'demos' end up as a central force of my creative practice!!!

The Accidental Encounter with Bale Straps

It's been over a year since I updated this blog. Shameful really. I will attempt to catch up. 

I was on sabbatical from August 2012 to 2013, based primarily in Vancouver, Canada.

In August 2012 I'd wanted to get a case of tomatoes to make sauce so I went to visit Annie Moss who owns an organic foods distribution company. While there I noticed heaps of baling straps. These single-use straps are found around nearly every box shipped across the globe. Binding box to box, paper to paper, and everything to pallets. Even though Annie intends to recycle them the waste factor irked me to no end. I gave myself the task of figuring out how to reuse or upcycle them. After countless youtube videos and cut up fingers I managed to make a basket using a basic weaving technique common around the world. This gesture led to several interrelated threads, the first being an experiment with bartering. 

BARTER BASKETS

I brought my first basket to Annie and made her a proposition – with her trash I would make her a basket each week, and she would let me have as much ‘seconds’ as I want. Seconds, in their terms, mean fruits and vegetables that are a little too old or misshapen to resell to stores. Annie agreed. I get so much food that I play vegetable Santa for several friends and families on a regular basis. Annie gives the baskets to the workers and her favorite farmers and vendors. Annie was my first bartering partner, leading to others. Many baskets later, still not a cent has changed hands.

I hope to be able to find straps upon return to Hawai'i, to continue to make baskets and barter.

All this said it is important to note that bartering is not at all about reclaiming the commons. David Graeber's book Debt: The First 5000 Years is helpful in explaining. Through copious evidence Graeber debunks the common myth that primitive bartering was the origins of monetary economies. In fact it was the other way around (see chapter 2 "The Myth of Barter").

After learning from Graeber about the flaws of my assumption I experimented with other ideas using the bale straps and basket making. Ideas more in sync with the politics of Eating in Public's (the other me). Subsequent posts will provide more information. 

Instagram Feed - one turns book cover

I think it was September or October of 2012 that I reluctantly signed up for Instagram - because of Kris Ikegami's insistence. Unexpectedly it became a consistent thread among my sabbatical activities. At minimum it has proven to be a great way to maintain my basic camera capture skills in framing and such. At best, I hope, at the end of my sabbatical, to edit it down to a small portfolio or book. If you would like to be alerted of what happens, please sign up for my mailing list at the bottom of this page.

 

Susan Schultz, editor of the fabulous but ever poorly funded Tinfish Press, asked me if I'd ever want to do another TF cover. I was its official covergrl at one time afterall. I let poet Vera Lee and Susan loose on my Instagram feed and they chose the above image for Vera's book "Diary of Use", now available via Tinfish Press. 

SHE'S WELCOME TO HER DISEASE" [DEMENTIA BLOG, VOLUME TWO] (Singing Horse Press)

Long time collaborator Susan Schultz completed her second book that track her mother's battle with Alzheimer's disease. Since I did the cover of the first she invited me to create one for "She's Welcomed to her Disease" as well. We met over coffee in Makiki and she handed over a photo album of her mother's. The resulting covers are a matched set, both using snapshots as an entry into the loss of memory, self. Both books are available at SPDbooks. 

Hyphen Article and Interview

San Francisco artist and writer Weston Teruya writes about Gaye Chan's work in a Hyphen article entitled The Language of Seeds and Tents. Also for the same journal, Weston interviews Chan about art, politics and community.

Eating in Public at Flux Factory

An Eating in Public Seed-Sharing Station will be included in an exhibition entitled Bionic Garden at Flux Factory (Queens, New York) this June. The show invites viewers to "re-imagine urban spaces both private and public in an effort to bring resourcefulness and ingenuity to urban communities".

After the exhibition the station will be permanently adopted by FF as a working station. We hope that seeing how well the station works will entice others in the neighborhood to adopt one of their own. Since using fuel to send a station made of repurposed material all the way from Honolulu to Queens seems absurd, Jean Barberis, one of Flux Factory's founders and the exhibition's co-curator, will be building it with scrap wood at Flux Factory, based on plans drawn up by EIP (think Draw Winky).

These same plans are available for download from EIP's website. Download one and build your own Winky. Decals for signage, rubber stamps and other peripheries are available upon request from [info@nomoola.com].

Launching Seed-Sharing Stations

Eating in Public has launched a new initiative.
We have set up SEED-SHARING STATIONS at several O'ahu locations so far and a non-working model will be included in the exhibition Hawaii Art Now at the Honolulu Museum of Art (formerly Honolulu Academy of Art).

Why?

Seed-sharing is an ancient practice throughout the world. It is currently under threat by big industrial seed corporations (e.g. Monsanto). They want to patent seeds and prevent us from sharing them so we will always be forced to buy from them. Seed saving and sharing is crucial to our freedom, autonomy from capitalism and crucial for our collective survival.

And?

Eating in Public continues to seek prospective organizations/entities to adopt seed-sharing-stations, particularly locations with lots of traffic and used by people of diverse populations - e.g. community centers, libraries, churches, coffee shops, senior service centers, etc.

We will provide a seed-sharing-station without charge. They are built individually to fit the specificity of each context and entirely from scrap and/or repurposed wood. Each comes with a stapler, rubber stamp/pad, pencils, a starter kit of recycled envelops and approximately 50 seed packets.

The station needs no monitoring and is self-explanatory. Anyone is welcome to take seeds and provides a place for planters and foragers to share seeds. Ideally, adoption is forever or at least a year. Adoptive organizations also agree to periodically ink the stamp pad, sharpen the pencils, restock the stapler and recycled envelops, and send EIP photos of the stations in action.